Fact is, he was making РІР‚Сљgo-goРІР‚Сњ beats for just about all them, and others in the game too РІР‚В¦ including Toni Braxton, Kelly Rowland and even Mary J. Harrison was a producer in the 2000s who was working a lot with Columbia Records - who had all these ladies under their roster in the early to mid-2000s. Of course, a proper timeline of events is necessary here to put things in context РІР‚В¦ as is an explanation of who the heck Rich Harrison is, because heРІР‚в„ўs at the center of all of this - and the main reason for the comparisons being made in the first place. With tracks of theirs like РІР‚СљCrazy In LoveРІР‚Сњ and РІР‚СљGet Right,РІР‚Сњ respectively, employing similar break beats and drum patterns - some have even gone so far as to claim that B and J (Lo) actually hijacked AmerieРІР‚в„ўs whole aesthetic РІР‚В¦ and, thus, robbed her of her thunder. The reason folks feel like that РІР‚В¦ her fans say this unique sound featured on the song, which is often referred to as РІР‚Сљgo-goРІР‚Сњ and was quite popular at the time, is one that ended up also getting used by stars like Bey and J Lo, among other female R&B singers back then. HereРІР‚в„ўs the deal РІР‚В¦ the 2005 track - featured on AmerieРІР‚в„ўs 2nd album, РІР‚ВTouchРІР‚в„ў - resurfaces on Twitter every few months, like itРІР‚в„ўs doing now, with many arguing her mainstream success was cut short РІР‚В¦ and not just that, but that she was allegedly done dirty by the industry. Every so often, AmerieРІР‚в„ўs hit single РІР‚В1 ThingРІР‚в„ў crops up online - and like clockwork, a fierce debate gets fired up РІР‚В¦ inevitably bringing Beyonce and Jennifer Lopez into the convo.

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